Lindsey Goodman
Blog

From concerts to album releases and from masterclasses to special events, get Lindsey's latest news!

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Lindsey Goodman Blog

“played with conviction”

New York Times

February 14, 2019

Your favorite flute quartet, PANdemonium4, announces our first recording! Our interpretation of signature commission Flugge Jazz Fantasy by Andy Frederick for flute quartet, bass, and percussion is out on quartet member Lisa Jelle's new album Bolling & Beyond. We're thrilled to be featured along with Andy Woodson on bass and Chris Carmean on percussion, so get...

November 22, 2018

My new solo album, returning to heights unseen from PARMA Recordings, continues to garner press and radio airplay! 

My incredible teacher Walfrid Kujala reviewed my album for The National Flute Association's The Flutist Quarterly in a true career highlight:

"a phenomenal flutist"
"a terrific CD"

The album also received a review in Flute Talk magazine's November issue

W...

November 9, 2018

Composer Mathew Rosenblum's new album, Lament/Witches' Sabbath comes out from New Focus Recordings on Friday, November 9th featuring the Pittsburgh New Music Ensemble's performance on his work Falling for soprano, flute, clarinet, violin, cello, piano, percussion, and electronics. Purchase the album from New Focus, Amazon, or Arkiv Music

I'm proud to be included in the...

August 26, 2018

My 2017 - 2018 season is officially over! During the past season, I:

: taught 651 lessons

: performed 86 total concerts

: played 51 orchestral concerts

: coached 39 chamber music rehearsals

: performed 24 world premieres

: collaborated on 20 chamber music concerts

: gave 7 presentations

: traveled to 6 states

: gave 5 radio interviews

: performed 4 solo recitals

: played 4 featured...

August 26, 2018

My new solo album, returning to heights unseen from PARMA Recordings, continues to garner press and radio airplay! The Flute View magazine gives the album a rave review:

"Her interpretations are confident, clear, and convincing. Goodman’s tone is versatile and changes to support the musical message of each piece. There is an easy virtuosity about her playing, which makes...

August 14, 2018

I'm honored to be included on composer Eric Moe's new album Uncanny Affable Machines from New Focus Recordings, which features my interpretation of his Let Me Tell U About R Specials for flute and fixed media. The album was released on Friday, August 10th, and physical copies can be ordered from the catalog page, Naxos Direct, and Arkiv Music, Digital copi...

July 2, 2018

My new album RETURNING TO HEIGHTS UNSEEN continues to garner positive press and radio airplay!

Noted new music blog I Care If You Listen gives the album a glowing review

"Goodman's personal relationships with this album's composers reveal a musician whose collabor

"Goodman’s personal relationships with this album’s composers reveal a musician whose collaborative work infu...

May 30, 2018

My second solo album, returning to heights unseen featuring eight commissioned works by American composers, was released by PARMA Recordings on May 11th, and has been garnering exciting attention! 

Learn more about the album and me through this interview from PARMA's Inside Story.

Enjoy a 60-minute audio interview with host Jim Cunningham on WQED (PA)'s...

May 11, 2018

Happy birthday, returning to heights unseen! Today, Friday, May 11th, 2018, is the official release of my second solo album on the Navona Records imprint of PARMA Recordings featuring eight commissioned works for solo flute written for me by American composers since 2004. The disc includes Roger Dannenberg's Separation LogicDavid Stock's A Wedding Prayer...

May 5, 2018

My new solo album returning to heights unseen releases Friday, May 11th on the Navona Records imprint from PARMA Recordings featuring eight new works for flute, but preview press is already rolling in! 

The first review from Steven Kennedy at Cinemusical is a rave at four out of four stars:

"Lindsey Goodman’s performances here are all a composer of new work would hope. She...

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