A committed advocate for living composers and electroacoustic music, Lindsey “appears to know no fear in tackling the most demanding music” (Pittsburgh Tribune-Review) and is an active commissioner of new works with 189 world premieres to her credit. On her debut solo album, reach through the sky (New Dynamic Records), Lindsey “performs impeccably with superlative elegance and flair” (The Flute View), and her second solo release, returning to heights unseen (PARMA Recordings), is “a feast of sound and texture, showcasing her skill as a flutist and an interpreter of contemporary music”. (The Flutist Quarterly) Both feature all commissioned pieces. Her third solo album, Etereo (PARMA Recordings), is "an enthralling album of new works for flute” (The Flute View), and she can also be heard in solo, chamber, vocal, and orchestral performances on the New World, Albany, and New Focus labels, among others. Lindsey has given multiple professional recitals in New York City, performed concertos from Mozart to commissioned works across the United States and Canada, and been featured in live and recorded radio broadcasts on stations around the world.

Lindsey, “a flutist who has it all” (The Whole Note), is principal flutist of the West Virginia Symphony Orchestra, instructor of flute at Otterbein University and Glenville State University, artist faculty member of the Mostly Modern Festival, and solo flutist of the new music ensemble What Is Noise. She is a founding member of flute quartet PANdemonium4 and of Chrysalis, a singing flutist and singing pianist duo, showcasing her training as a classical mezzo-soprano. For over 18 seasons, she performed as solo flutist of the Pittsburgh New Music Ensemble. A student of Robert Langevin and Walfrid Kujala, Lindsey received degrees from the Manhattan School of Music, Northwestern University, and Duquesne University. She resides in central Ohio with her husband, percussionist, composer, and educator Chris Carmean, and their dog Jack.